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Lecture

Fhatuwani Mukheli
I See a Different You

Saturday 25.05.2024

Summary

Twin brothers Fhatuwani and Justice Mukheli, prominent photographers and designers from Soweto, South Africa, discuss their project “I See A Different You.” This initiative aims to counter negative media stereotypes by showcasing the vibrant culture and joy of Soweto through authentic imagery. The brothers shared how their creative upbringing in Soweto inspired their work, emphasizing the importance of rewriting narratives to reflect the true essence of their community. Please note this talk was only available to watch live.

Fhatuwani Mukheli

an image of Fhatuwani Mukheli

Fhatuwani Mukheli is a Johannesburg-based artist and the co-founder and director of I See a Different You, a collective of Soweto-born creatives using production and content creation to positively transform Black representation in South Africa and eliminate negative perceptions against Soweto and other townships. Recently shifting his focus from photography and filmmaking, Fhatuweni has found great success as a fine art creative, best known for his illustrative portraiture. He now sells his works to local and international markets and continues to revolutionize the South African creative space.

Justice Mukheli

an image of Justice Mukheli

Justice Mukheli is a South African painter, film director, and photographer. Mukheli’s fluid, engulfing compositions are inspired by his upbringing in Soweto, reflecting on a host of themes from masculinity and Blackness to ancestry and spirituality. Mukheli’s process is rapid and his compositions engrossing; taking cues from his past as a photographer he paints contemporary portraits which lapse into the abstract, looking to challenge both our perception of portraiture and what it means to be African. Mukheli attempts to reconnect with his ancestral past—an Africa unshaped by colonization and Christianity and instead built through spirituality. By telling these stories of past, the figures take on a ghost-like quality, in many ways diminished and blurred by the riot of marks engulfing them. For Mukheli, turning to the paintbrush has become a meditative process which allows him to connect with the past—a focus on experience and emotion over documentation. Mukheli’s figures are freed from the shackles of masculinity and the pressures of identity, instead taking on a fluid, somewhat genderless form that is reflective of the spirit. In doing so Mukheli navigates the nuances associated with being a young Black man in a post-internet world, in a way that feels both confident yet shy.