Patrick Bade
Mussorgsky: Boris Godunov, the Great Russian Opera
Summary
The lecture delves into the complexities of Boris Godunov (1831), considered one of the greatest Russian operas. Patrick Bade explores multiple versions of the opera, noting Mussorgsky’s two distinct compositions and Rimsky-Korsakov’s attempt to refine the original. The discussion highlights the impact of performers like Feodor Chaliapin, who gained worldwide acclaim in the Rimsky version. The historical context of Russian opera’s evolution, influenced by Italian and French composers, Glinka’s foundational works, and Verdi’s impact, is also explored.
Patrick Bade
Patrick Bade is a historian, writer, and broadcaster. He studied at UCL and the Courtauld Institute of Art. He was a senior lecturer at Christie’s Education for many years and has worked for the Art Fund, Royal Opera House, National Gallery, and V&A. He has published on 19th- and early 20th-century paintings and historical vocal recordings. His latest book is Music Wars: 1937–1945.
I do have that recording. He sang it at the Met. Of course, he sang it in Italian. He didn’t sing it in Russian. I mean, I love Pinza. He’s my absolute favourite base.